Philip Levine, poet of the working class, wraps up his tenure as the nations official literary voice.
Looking back on his term as poet laureate, Philip Levine said he’s been surprised at the public attention he received.
“I had no idea what was in store for me. I can’t say I haven’t enjoyed it. Poets are not well-known people, by and large,” he said in a recent interview.
But for a poet who writes about the industrial labor force, timing has been everything. By most measures, it has been a prime political moment for Levine — known as a poet of the working class — to serve as the nation’s top literary figure. His poems have captured the sentiment of a workforce unsettled by years of economic turmoil.
It’s a topic he’s been writing about for more than 60 years.
When Levine was 14 years old, he began working on assembly lines, including Chevrolet Gear and Axle and Detroit Transmission. The factories were so loud that he could recite poetry while he worked without anyone hearing him.
Levine has re-created the experience of working in industrial Detroit in his poetry. His work features stark images of life on the shop floor. It tells stories about the toll physical labor takes on the bodies and emotional lives of the country’s working class.
One of his most famous poems, “What Work Is,” begins by depicting the experience of waiting for a job in line outside a factory.
We stand in the rain in a long line
waiting at Ford Highland Park. For work.
You know what work is—if you’re
old enough to read this you know what
work is, although you may not do it.
Forget you. This is about waiting,
shifting from one foot to another.
Levine read the poem last fall at an AFL-CIO gathering. He said the appearance was one of the highlights of his term because he discovered that “the people who walk through many of my poems also read them.”
“That was enormously encouraging,” he said.
Political issues are at the heart of Levine’s public image. During his stint as the nation’s top poet, he has pulled few punches when it comes to political commentary.
“I’ve spoken out about Congress, the presidency, the failure of the American political machinery to keep up with what one might call American ideals and the enormous failure of the Republican Party” he said, although his time as poet laureate has come while there is a Democratic White House and Senate.
“I think, when I got off at the start [as poet laureate], there was an understanding that I would be me. And I have been,” he said.